Designs on ice
Costume designer is skilled at skirting figure skaters' imperfections
Source: |
Albany Times Union |
Date: |
February 20, 2003 |
Author: |
Amy E. Tucker |
When you picture figure skaters with their graceful elegance,
flawless lines and seamless packaging, it's hard to imagine that the
biggest challenge facing their costume designer is hiding
imperfections in their bodies.
Award-winning designer Jef Billings -- in his eighth year with
"Stars on Ice," which comes to Albany's Pepsi Arena on Sunday --
spends a good portion of his time doing just that.
"There are few skaters where I can say to you, that I don't have to
hide something," said Billings. "Because skaters have bad bodies."
Billings has spent years diminishing the look of the "little boy
build" phenomenon: no hips and enlarged rib cages as a result of
developing other muscle groups.
Originally from Utica, Billings earned a bachelor of fine arts in
theater from State University College at Oswego and spent the early
1970s teaching high school drama. He then went on to run a small
dinner theater and pursue an MFA in costume design from New York
University.
After graduation, he moved to Los Angeles, where he landed an
assistant position to designer Bob Mackey on "The Carol Burnett Show"
after less than a week in the city.
But it was getting his first professional job for Northwestern
University that led him to a career in figure skating. They were
airing a prime-time TV special celebrating famous drama club alumnae,
including Ann-Margaret, Candace Bergen, Patricia Neal and Carol
Lawrence.
"I designed two costumes for Lawrence," said Billings, "and her
manager at the time really liked what I had done. ... Six months
later, another client of his called me."
That client was Peggy Fleming. Billings went on to design for
nearly every female Olympic champion since 1968, including Dorothy
Hamill, Oksana Bauil, Kristi Yamaguchi and Tara Lipinski.
Still, he used to downplay the skating work: "I used to say I was a
costume designer for Sandy Duncan or Lily Tomlin. But after the Tonya
Harding-Nancy Kerrigan drama (at the '94 Olympics in Lillehammer,
Norway), skating really took off."
Billings became the go-to guy for figure skating costuming by
designing for seven Disney specials, and his 1999 Emmy-winning
creations for Target's "Snowden on Ice," starring Ekaterina Gordeeva
and Scott Hamilton.
"TV variety shows didn't exist anymore, and skating specials became
their equivalent," he explained. "Everyone got greedy and they flooded
the market with skating. But the skaters can only train and
choreograph a few numbers a year. So you would turn on a TV show and
see Rudy Galindo do 'YMCA' for the hundredth time."
Though all costuming involves taking into consideration the
person's body type, skating in particular has more requirements.
"When I put someone in an evening gown, I don't have to worry that
they're going to turn upside down and their butt is going to show,"
Billings said. "Theatrical numbers typically have a character or
persona to emulate, and skating usually surrounds a particular music."
Last year's "Stars on Ice" theme, inspired by the film "Moulin
Rouge," was very costume-driven. Billings describes this year as
"Power Skating": The show is coming off an Olympic year with five
pairs teams and gold medalist Alexei Yagudin. Katarina Witt is the
only female singles skater, so maintaining a feminine quality proved
challenging.
"When you think about women's skating costumes, I'm dealing with an
area from the crotch to the neck," Billings said. "When you're doing
an evening gown or designing for a formal event, you can use long
skirts, short skirts, full skirts or pants."
"A lot of the way an outfit looks in the end depends on the shoe --
whether it's a miniskirt with a high boot or a high-heeled
shoe. ... No matter what I design, the skirt can only be a certain
length and I have to be aware of the physicality of the movement and
allow for flexibility."
"It has to be durable, because it's going to be on and off their
body 70 times in three months," he said. "It's going to be packed wet
and have to be dry-cleaned or washed in a locker room a hundred
times."
The individual skaters have no say over the group costume designs,
but Billings tries to work with their concerns for their individual
numbers. "All of the skaters in some form of another have their own
insecurities," he said.
"Jenni Meno is very self-conscious about her hips and butt, where
as some skaters are preoccupied with skirt length and covering their
thighs ... (so) Meno's costume might be cut to fall over her hips a
little softer than someone else's," Billings explained. "While
Yamaguchi -- who has no butt -- doesn't care about the length. But she
doesn't want it too tight across her backside."
On the other hand, he said, "It's harder to get diversity with the
men. But I never have to worry about things like the length of the
guys' pants, if their crotches are going to show or their busts are
going to fall out."
Billings had the honor of creating the design for Sarah Hughes'
Olympic performance in Salt Lake City, and has been asked to design
her outfit for the World Figure Skating Championships in Washington,
D.C., next month. "Competitive clothing is more difficult for a number
of reasons," Billings said. "Other than dance -- and I think dance
costumes are ludicrous -- you can't make it too costumey."
Billings is working on a tell-all book, with the tentative title
"I've Seen them All Naked," and likens his profession to that of a
hairdresser.
"We're like hairdressers and psychologists," Billings said. "In a
fitting room, most people will tell you anything.
"As a designer, I not only see them physically naked, but I see
them emotionally naked," he said. " ... There's a huge range of
emotion. People are very forthcoming when you're working on their hair
and costumes. You see them at their most vulnerable and insecure
moments and their proudest moments."
And their most embarrassing moments: "There's the time Dorothy
Hamill was skating in Vegas and her breast fell out of one of my
costumes," said Billings. "Everybody likes to read about that stuff."
COLD SNAP
"SMUCKER'S STARS ON ICE"
When: 4 p.m. Sunday
Where: Pepsi Arena, Albany
Tickets: $36, $46 and $56
Info: 476-1000
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