Proving again that they cancan
Strong Moulin Rouge influence marks Stars on Ice performance
Source: |
Halifax Herald |
Date: |
April 29, 2002 |
Author: |
Andrea Nemetz |
With outsize pink feather boas, furiously flashing lights, a
melange of musical styles and the traditional cancan, this year's
Stars On Ice show had the high-energy, lusciously glamorous feel of
the hit film Moulin Rouge.
Several songs from the movie featured prominently in the
two-and-a-half hour show at Halifax Metro Centre Sunday afternoon.
Kristi Yamaguchi, the 1992 Olympic champion who hasn't toured
Canada with Stars On Ice since 1992, Canadian pairs darling Isabelle
Brasseur, newly-crowned World silver medallist ice dancer Shae-Lynn
Bourne and American pairs skater Jenni Meno got things started with a
sexy skate under hot pink lights to Lady Marmalade.
Later, six-time American men's champ Todd Eldredge skating to the
Ewan McGregor version of Your Song from Moulin Rouge got a standing
ovation as his program that included two triple jumps wrapped up with
an incredible scratch spin. Eldredge's spinning also highlighted a
powerful version of the Lord of the Rings program he skated at the
Olympics.
McGregor, along with Jose Feliciano and Jacek Koman provided the
tune Vanity Tango, used for a humourous number in which four-time
world champion Kurt Browning, eight-time Canadian men's champ Brian
Orser and Meno's partner, Todd Sand, tried to impress the ladies while
skating with lighted vanity mirrors.
Every seat was filled Sunday as the show opened with Swiss spinning
ace Lucinda Ruh shimmering through an intricate combination spin,
demonstrating her extraordinary flexibility.
The energy ramped up as the 12-member international cast rocked to
Ram Jam's Black Betty, playfully throwing around giant red and hot
pink feather boas. When the cast was introduced the biggest cheers
were for Canada's Bourne and her partner Victor Kraatz, Olympic men's
champion Alexei Yagudin and Browning.
Browning's Guitar number was inspired - the consummate showman
grooved to the sounds of Ed Robertson, his skates seeming to barely
touch the ice, turned rock star gleefully strumming an air guitar and
played directly to an adoring crowd, accentuating every note of the
music.
Yagudin, whose first solo was greeted by shouts of We Love You
Alexei, received a standing ovation before he began his skate to
Enigma's Overcome and another at its conclusion. And when, in the
second act, he appeared in his costume for this season's competitive
short program, Winter, the cheers began before the music. The program,
which included a triple Axel and a triple, triple, double combo and
the fantastically fast and complex footwork that is rapidly becoming
his trademark, is even more impressive live than on the TV screen at
the Olympics and World Championships.
Bourne and Kraatz merely had to step out onto the darkened rink to
get the audience applauding. When the lights came up on the Michael
Jackson Medley they skated this year at the Olympics, the fans went
wild at their spirited performance of hot dance moves. In the second
act, they skated to Enigma's Sadness, the highly-stylized choreography
recalling a Cirque du Soleil show. The skate was highlighted by
innovative variations on their trademark hydroblading.
Two-time Olympic bronze medallists Brasseur and Lloyd Eisler
provided some of the afternoon's most memorable moments.
Though the 1993 World Champions have been skating professionally
since 1994, they've lost none of their thrilling twists, lifts, and
throws. Their acrobatic manoeuvres as they skated to INXS' Never Tear
Us Apart consistently drew gasps from the knowledgeable crowd which
wished Eisler a Happy Birthday. The Seaforth, Ont., skater turned 39
Sunday.
The duo brought down the house in the second act when Eisler
appeared in drag complete with sparkly black halter top, slit micro
mini and what appeared to be patent pumps to skate to the Northern
Pike's She Ain't Pretty. Brasseur turned biker with leather jacket,
jeans and studded belt as she turned the tables to help Eisler
complete a death spiral and throw jump.
The first act's grand finale, to Fat Boy Slim's Because We Can was
also a gender-bending delight with Eisler, Kraatz, Browning and Sand
appearing in the feather boas and tight black lycra shorts, with
Browning and Sand adding seamed black panty hose and the men grouping
together to toss Browning over their heads and into the splits in a
modified cheerleading routine.
It ended with the men doing their own cancan before joining the
ladies in a whirling pinwheel.
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